It’s not often that I say political drama is too much, but when it crosses the boundary into actual, proper, scripted drama – I have to protest.
The Australian has just reported this afternoon that Rachel Griffiths has signed on to play the role of Julia Gillard in a new television drama. The Melbourne TV production company WTFN (an appropriate name under the circumstances) has acquired the film and TV rights to Kerry-Anne Walsh’s book, The Stalking of Julia Gillard.
Perhaps it is just me, but I can’t think of any form of film adaptation of the period of federal politics between 2010 and 2013 as being anything other than a tragi-comedy, particularly as those involved are still Members of Parliament and essentially employed to represent the Australian public. Film adaptations of historic political events such as Hawke and Curtin were made many years after the events in question – at least enough time had passed for the viewers to be able to disassociate from the story being told.
No doubt, there were some incredibly tense and dramatic moments during the Rudd / Gillard era – however there were also many points at which the entire situation descended into farce. I’m unconvinced that it will be possible to adequately convey the tension (and not to mention the clear confusion) within the Labor Party with all of the events so fresh in the minds of the audience.
Another interesting consideration will be in the details of the reasoning behind the various leadership changes. The drama would be inaccurate if it did not focus on the role of the factions and the intra-party politics in both Rudd1.0 and Gillard’s demise, however the inclusion of a Bill Shorten character will presumably be an extremely unappealing prospect to the Labor Party.
My final reservation is potentially a bit controversial. How do you portray the character of Julia Gillard without appearing to mock her? Presumably Griffiths will don a red wig, but what of the other physical (and vocal) features of our former Prime Minister? If you ignore them and just plonk the actress as she is in a two-piece skirt suit in the House of Reps with a standard Australian accent, the underlying message might appear to be that you could not convey the right dramatic tone trying to recreate the character too closely. This is akin to saying that Gillard as she is cannot be serious (and as such we may have hit upon one of the least fair aspects of her struggle to be taken seriously as Prime Minister).
The other end of the very pointy stick is that Griffiths in a body suit with a Crocodile Dundee drawl would almost certainly be ridiculous.
All of this ends nowhere in particular, other than with the thought that perhaps we should let this particular history become a little less recent before we move in for the docudrama kill.
What’s certain is that this is just another distraction that the new opposition could do very well without – on top of all the campaign post-mortems, tell-all books, Mark Latham-spats and other hyphenated kicks in the teeth.